JEONNAM-GWANGJU SPECIAL METROPOLITAN CITY — The "Taiwan Pavilion" dispute that overshadowed the opening of the 16th Gwangju Biennale last weekend wasn't a mere display of diplomatic tension between China and Taiwan that erupted randomly at an art event. It laid bare a deep-running problem with one of Asia’s best-known contemporary art event organizers and raised a question: Is the organizer's management system working? The biennale, launched in 1995 in the spirit of the May 18 Gwangju Democratic Uprising in 1980, has grown into Korea’s largest and Asia’s oldest and best contemporary art biennale. It has more than 10 billion won ($7.44 million) in public funding and related spending committed to each edition. Its 2026 operating budget was set at about 14.3 billion won, excluding a separate 1 billion won for replenishing its basic assets. It seems that the problem boils down to its precarious staffing model. A team manager-level Gwangju Biennale Foundation employee on a short-term contract told The Korea Times that the biennale’s core working staff numbers only around 30, with t

'That's why we fight': Trump links 9/11 to Iran conflict
Korea demands years of Google records over sex-crime victim data exposure
N. Korea fires multiple short-range ballistic missiles toward East Sea: JCS
More young workers start in nonregular jobs, widening regular employment gap: study
Iran-backed Houthis seize key island, opening new front in Iran war
TEST DRIVE Lexus NX 450h+ reveals sporty side
US stocks jump as oil eases, inflation comes in near expectations
REPORTER’S NOTEBOOKTaiwan-China row at Gwangju Biennale could have been avoided
Korean Air, Asiana to offer free in-flight Wi-Fi services
Son Ye-jin to give rare glimpse of married life with Hyun Bin
Taboola 후원링크