Hechyeomoyeo prepares to wrap up Busan exhibition
Situated on the third floor of an aging brick building in Busan’s old textile district, Aither gallery has a raw look that feels spontaneously industrial and warm. The space is only accessible via a narrow set of steep stairs. Once an urban apartment, the dwelling has since been gutted and the residents replaced by works of art. Paintings, photographs, drawings, sketches and digital works now grace the walls in abundance. There are hundreds of them taking up all available space, acting as a kaleidoscope of colors and shapes, with a name and story behind each individual piece. Welcome to Hechyeomoyeo. “The more the merrier,” organizer Neil Wheelock Deforest Smith told The Korea Times at the opening of Hechyeomoyeo’s first Busan exhibition on Sept. 14. “We gather a bunch of artists, throw them in a room and see what happens. I just put out an open call, and anyone who wants to can participate.” This ethos of maximum inclusivity is what sets Hechyeomoyeo apart from more selectively curated projects, while also adding to the excitement. After all, there’s power in numbers, and
Sep 25, 2024By Chris Tharp