When fools rushed in
Large-scale artworks are seen on the slopes of Alpensia Resort in PyeongChang, Gangwon Province, ahead of the PyeongChang Biennale later this month. / YonhapThe upcoming PyeongChang Biennale, apparently prepared in haste, is the latest in a growing list of biannual art festivals held across Korea. Regrettably, quantity has come at the cost of quality. The photo shows the works of sculptor Jo Sook-jin displayed at the “Chairs, Walk’’ exhibit, during the Cheongju International Craft Biennale in 2011./ Korea Times fileMany biennales being rendered irrelevant By Kwon Mee-yooAre there too many art festivals with no unique aim? This has become a relevant question with Korea seemingly adding a biennale, or biannual art festival, year after year.The 18-year-old Gwangju Biennale is the oldest event and remains the most relevant one. PyeongChang Biennale (PCB), which debuts later this month, is the newest addition that will be born astride an identity crisis.The slopes of PyeongChang’s massive Alpensia Resort have been decorated with large-scale, site-specific