Celebrated abroad, contested at home: Choi Min-sik’s complex legacy revisited
The late photographer Choi Min-shik’s polarized legacy is revisited in his posthumous photobook “Human," the 15th installment in his namesake series. The recently published volume features some 300 carefully selected black-and-white photographs taken over the course of his five-decade career. The collection reflects the gifted artist’s complex fate as a documentary photographer. Abroad, Choi earned a strong reputation, exhibiting his work in numerous countries — a rare achievement for a Korean photographer in the 1970s. British photographers even nicknamed him “Rembrandt” for his masterful use of light and shadow. His soulful portraits of people living in poverty evoke the dramatic chiaroscuro of Rembrandt, particularly in their striking contrasts between darkness and illumination. Choi’s realistic yet philosophical approach quietly narrates the realities of Korean society at the time his photographs were taken. In one image featured in the new book, a mother and her young son share a bowl of noodles while she cradles him against her chest. The composition captures both in
