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Baek Byung-yeul

Korea Times K-Culture Reporter

Baek Byung-yeul is a journalist at The Korea Times focused on cultural content, including films and cultural events in South Korea. You can contact him at baekby@koreatimes.co.kr to share your insights.

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Films

Actors step into film investing, back diverse cinema

Leading actors like So Ji-sub and Jung Il-woo are stepping into new roles as film investors to help bring a wider variety of films to the struggling Korean cinema scene. With declining audience numbers and a domestic film market increasingly dominated by blockbusters, smaller films are finding it harder to reach viewers. Actors’ involvement in importing and distributing independent and arthouse films is now being seen as a move to protect cinematic diversity and expand options for moviegoers. “If actors get directly involved in film import and distribution, risky films that might not be chosen by a wider audience may get another chance to be screened or secure initial investment more easily,” an official from a local film marketing company said on condition of anonymity. So is considered a pioneer of the trend, as the 47-year-old has consistently invested in local distributor Challan Film Company since 2014, through his agency 51K. Their broad portfolio includes acclaimed overseas films such as “Midsommar” (2019), “The Zone of Interest” (2023) and “Late Night with the De

Sep 15, 2025By Baek Byung-yeul
Actors step into film investing, back diverse cinema
People & Events

Yoido Full Gospel Church co-hosts global church growth conference in Jakarta

The Church Growth International (CGI) Conference, co-hosted by Yoido Full Gospel Church and CGI, concluded a three-day event from Sept. 9 to 11 in Indonesia, serving as a pivotal opportunity to expand partnerships and foster a spirit of revival across Asia. Yoido Full Gospel Church said Sunday that the conference, focused on the theme of “Power of the Holy Spirit,” drew an estimated 20,000 attendees, including pastors and believers from 22 countries. Held at GBI Mawar Saron Church in Jakarta, Indonesia, this year’s conference served as a pivotal moment for expanding revival partnerships across Indonesia and the Asian region. The opening day featured a conference attended by more than 3,500 people. Rev. Lee Young-hoon, senior pastor of Yoido Full Gospel Church and chairman of CGI, delivered a lecture on power of prayer, highlighting the tradition of early morning prayer in the Korean church. “Prayer is spiritual breathing, the word is spiritual food, and churches’ growth is entirely in God’s hands,” the chairman said during his lecture. The evening session featured a revival

Sep 14, 2025By Baek Byung-yeul
Yoido Full Gospel Church co-hosts global church growth conference in Jakarta
Films

Can Song Kang-ho’s new role as gardener spark box office comeback?

Korean cinema icon Song Kang-ho, once the undisputed king of the box office, is gearing up for a comeback that could turn the tide on his recent string of disappointments. The 58-year-old actor has been confirmed to star in the upcoming film “The Gardeners” (working title), according to production company Hive Media Corp on Thursday. The movie will be directed by Nam Dong-hyub, a rising director known for last year’s surprise hit “Handsome Guys.” Song’s career is legendary. He has starred in many films that were both local commercial hits and critical darlings that received global praise, and has long been a key collaborator with acclaimed directors like Bong Joon-ho, Park Chan-wook and Kim Jee-woon. His work in films like “Memories of Murder” (2003) and “Snowpiercer” (2013) captivated audiences, and his performance in the Oscar-winning film “Parasite” (2019) cemented his status as an international powerhouse. He also won Best Actor at the 75th Cannes Film Festival for his role in “Broker” (2022), further solidifying his prominence in the industry. Despite his

Sep 11, 2025By Baek Byung-yeul
Can Song Kang-ho’s new role as gardener spark box office comeback?
Films

Yeon Sang-ho redefines his craft in ‘The Ugly’

Director Yeon Sang-ho, famous for his 2016 blockbuster zombie hit "Train to Busan,” has taken a new path with his latest work "The Ugly," a psychological thriller that shifts away from large-scale action. The film, which recently had its international debut at the Toronto International Film Festival earlier this month, is a deeply personal project for Yeon, exploring the dark undercurrents of human nature and societal judgment. Based on Yeon's 2018 graphic novel "Eolgul,” the Korean word for face, the film follows Lim Dong-hwan (Park Jeong-min), the son of a celebrated visually impaired seal engraver, Lim Yeong-gyu. Park plays younger version of Yeong-gyu, while actor Kwon Hae-hyo plays the older version. The story unfolds as Dong-hwan discovers the skeletal remains of his mother Jung Yeong-hee (Shin Hyun-bin), who disappeared 40 years ago, forcing him to confront a web of family secrets. At a press conference held Wednesday via video call from Toronto, Yeon explained his motivation for the project. "I was obsessing over my achievements and where I came from," he said. "That led me to

Sep 10, 2025By Baek Byung-yeul
Yeon Sang-ho redefines his craft in ‘The Ugly’
Films

Can K-animation counter ‘Demon Slayer’ wave?

While Japan’s “Demon Slayer: Kimetsu no Yaiba — The Infinity Castle” is dominating Korean box offices, two highly anticipated homegrown animated films are gearing up for October releases, hoping to reignite interest in Korean animation and demonstrate its creative potential. The Japanese animated film has been a box office juggernaut since its release Aug. 22. Praised for its stunning visuals and fast-paced action, it has now surpassed 4 million cumulative viewers, cementing itself as one of the year’s biggest hits. This comes amid a broader “Japanimation craze” and the global success of the Netflix animated hit “KPop Demon Hunters” — a Sony Pictures Animation production inspired by K-pop and Korean culture. Since its June 20 release, the film has amassed over 266 million views, making it the most-watched Netflix title ever. The release of two distinctly Korean productions — the coming-of-age story “Run, Hany, Bad Girl” and the fantasy romance “Your Letter” — could help draw viewers back to Korean animation. ‘Run, Hany, Bad Girl’ adds twist on classic

Sep 10, 2025By Baek Byung-yeul
Can K-animation counter ‘Demon Slayer’ wave?
Books

Rare Joseon woodblock recognized as early manhwa added to comics archive

Rare historical artifacts tracing the origins of Korean comics, including a 17th century Joseon-era woodblock print widely regarded as a precursor to modern manhwa, have been acquired by the Ministry of Culture, Sports and Tourism and Korea Manhwa Contents Agency (KOMACON). KOMACON announced Tuesday that it has secured “Uiyeoldo,” a woodblock print produced in the 1600s, as part of a 636-piece collection deemed crucial to understanding the early development of Korean comics. The acquisition also includes original manuscripts by the late master cartoonist Kim Jong-rae (1927-2001), obtained through purchases and auctions. “Uiyeoldo” was printed in Seonsan, in what is now North Gyeongsang Province, during the Joseon Dynasty (1392-1910) to promote the values of loyalty and faith to the public. It features stories with illustrations such as the tale of a loyal ox that saved its owner from a tiger. Each illustration includes a description and the names of the characters, leading many to regard it as the first known Korean comic. The acquisition also includes the late cartoonist Kim’

Sep 9, 2025By Baek Byung-yeul
Rare Joseon woodblock recognized as early manhwa added to comics archive
Films

Can Park Chan-wook’s 'No Other Choice' succeed without Venice win?

Despite missing out on the Golden Lion at this year’s Venice International Film Festival, celebrated director Park Chan-wook's new film, "No Other Choice," is poised for box office success in Korea, fueled by widespread critical acclaim and a high number of presale tickets that signal a promising start to its theatrical run. Just over two weeks before its domestic premiere, "No Other Choice" has already claimed the top spot in the presale ticket race, surpassing the blockbuster Japanese animation "Demon Slayer: Kimetsu No Yaiba — Infinity Castle,” which has been dominating the local box office. As of Monday afternoon, Park's film topped the presale ticket chart, recording a 29 percent reservation rate with over 103,906 tickets sold, according to data by the Korean Film Council (KOFIC). This kind of early traction is rare in Korea’s current box office climate, signaling growing anticipation for Park’s first film since "Decision to Leave" (2022). The film's momentum was fueled by its selection for the competition section at the Venice Film Festival, a significant step for Korean

Sep 8, 2025By Baek Byung-yeul
Can Park Chan-wook’s 'No Other Choice' succeed without Venice win?
Films

Park Chan-wook’s 'No Other Choice' falls short of Golden Lion at Venice

Director Park Chan-wook’s highly anticipated film “No Other Choice” did not come away with the Golden Lion prize at the Venice International Film Festival Saturday (local time). The prestigious award was instead given to director Jim Jarmusch's "Father Mother Sister Brother." Park’s “No Other Choice” had been considered a front-runner for the Golden Lion after its own premiere in Venice last week received a standing ovation that lasted more than nine minutes. Based on Donald E. Westlake’s novel “The Ax,” “No Other Choice” is a dark satire that follows Man-soo (Lee Byung-hun), a man who resorts to extreme measures to secure a new job and provide for his family after being laid off. The film, which has been a passion project for Park for two decades. While the film ultimately missed out on the festival’s top prize, its run in Venice has already proven to be a financial and promotional success. According to its production company CJ ENM, even before its release, “No Other Choice” has already offset its net production cost of 17 billion won ($12.2 million) through

Sep 7, 2025By Baek Byung-yeul
Park Chan-wook’s 'No Other Choice' falls short of Golden Lion at Venice
Films

Busan becomes home for next generation of ASEAN filmmakers

This year’s Film Leaders Incubator (FLY) program, a key initiative to nurture aspiring filmmakers from across Asia, is officially underway in Busan. The Busan Film Commission said Thursday that the two-week workshop runs from Friday to Sept. 17, hosted by Busan Metropolitan City and the Asian Film Commissions Network (AFCNet). Now in its 11th year, the FLY program is a collaborative short-film production workshop that brings together young talents from Korea and 10 ASEAN nations. The program aims to strengthen the foundation of the Asian film industry by providing hands-on experience and professional guidance. This year’s event marks a special milestone as it returns to Busan after completing a tour of all 10 ASEAN countries since its launch in 2012. Two each from Korea and 10 ASEAN countries are joining the program. Over the past two months, they have worked online to complete their screenplays and are now in Busan to produce four short films. “The workshop agenda includes in-depth lectures on directing, cinematography, music and editing, as well as a variety of sessions including

Sep 5, 2025By Baek Byung-yeul
Busan becomes home for next generation of ASEAN filmmakers
Films

Second-run films emerge as box office lifeline amid Korean film industry slump

Second-run films are emerging as a sweet alternative amid a prolonged slump in the Korean film industry. As more rereleases achieve surprise box office success, they are establishing themselves not just as nostalgic throwbacks but as a viable survival strategy. This year, more than 10 films are being rereleased every month, including renowned titles such as the sci-fi hit “E.T.” (1982), Japanese animation “Perfect Blue” (1997), classic “Doctor Zhivago” (1965) and blockbuster “The Godfather” (1972) this month alone. A notable trend is the use of marketing events featuring actors visiting Korea, going beyond simple re-screenings. For example, Japanese director Nobuhiro Yamashita's 2005 film “Linda Linda Linda” will celebrate its 20th anniversary with a rerelease on Sept. 17. To commemorate this, the lead actors will hold a press conference in Korea on Sept. 12. The film, which became a topic of discussion due to Korean actor Bae Doona's role as a Korean exchange student, follows a group of high school girls who form a band just before their school festival. Bae is also s

Sep 5, 2025By Baek Byung-yeul
Second-run films emerge as box office lifeline amid Korean film industry slump
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