When remembering becomes criminal: Goncourt winner Kamel Daoud confronts Algeria's silenced past
“We think that simply because we’ve witnessed something, we can express it. But no. Great pain, great suffering — they impose limits. When you walk through a site of massacre and human flesh sticks to your shoes, what use are grand, weighty words?” Kamel Daoud was 22 when he became a journalist to cover the civil war in his homeland of Algeria. The conflict, which raged between the government and Islamist rebels from 1991 to 2002, claimed as many as 200,000 lives, most of them civilians. Yet the way the state chose to “document” the atrocity was through absolute erasure. In 2006, it passed a law effectively forbidding any attempt to speak about or investigate the events of what has since come to be known as the “Black Decade.” Daoud’s “Houris,” which won French literature prize Prix Goncourt in 2024, summons the very memories of the civil war that his country sought to scrub from its history. Through the voice of Aube, forever scarred as the sole survivor of a massacre that wiped out her entire family, the writer attempts what the state never did: to remember. A tra
Dec 5, 2025By Park Han-sol