Art-house musical offers realism by the glass
By Ines Min
While the word musical might most often inspire images of glamorous, large-scale productions on Broadway, those smaller art-house productions are able to produce the emotionally dense intimacy others seek. The Korean original “Cafe-in” fulfills the latter, as a clever romantic comedy proving its lasting power with the start of its second season late November.
The tongue-in-cheek “Cafe-in” progresses through a string of steady plot devices, props, and just enough self-aware humor, wrapped up into its 100-minute, two-man package. The story follows the playboy sommelier Jung-min as he enters the life of broken-hearted, workaholic barista Se-jin, playing the double-agent role of geeky dating coach and suave prospect.
The musical first debuted in 2008, but saw its revival this August with actor Kang Ji-hwan producing, hit creative duo director Sung Jae-joon and music director Won Mi-sol (“Music in My Heart”), and Broadway-veteran composer Kim Hye-young. After a brief, hallyu-centric Japanese run, in which Kang also acted, the Korean return saw the inclusion of a new
Dec 5, 2010