Scars behind beauty of Othoniel’s artworks at ’My Way’
By Kwon Mee-yoo
Jean-Michel Othoniel’s retrospective “My Way,” being held at Plateau in central Seoul, portrays the beautiful yet scarred inner side of the French artist.
“‘My Way’ unveils my poetic and fragile choices. This exhibition is a personal journey and I talk to myself as well as to the world and the others,” Othoniel said during a press conference for the retrospective.
“Lacan’s Knot,” “The Great Double Lacan’s Knot” and “The Self-Standing Great Knot” are on display at the glass pavilion of Plateau, which is located in Taepyeong-no, Jung-gu, Seoul. The natural light pouring into the gallery creates a unique atmosphere with the bright, colorful glass bead works. Othoniel’s works are on display with Rodin’s “The Gates of Hell” and “The Burghers of Calais,” permanents at the art museum.
“This room identifies two important themes in my work — the importance of using space and light and the relationship between history and culture,” the artist said. “Rodin’s strong and virile work occupies a different field which is not mine.”
Born in St. Etienne in 1964
Sep 14, 2011By Kwon Mee-yoo