Sculptor Hesse’s torment comes to life
By Noh Hyun-gi
When legendary artist Eva Hesse died very young from a brain tumor in 1970, her acquaintances and art officials swarmed into her New York studio and took just about everything. Soon, numerous retrospectives took place at prestigious venues including “Eva Hesse: A Memorial Exhibition” at the Guggenheim Museum in 1972, the first retrospective ever given to a female artist.
However, until 2009, two bodies of her most revealing works — her oil paintings and the odds and ends of her small scale experiments — remained in the dark.
Kukje Gallery in Samcheong-dong, Seoul, is currently showcasing the two traveling exhibitions that shed a unique light on Hesse — “Eva Hesse Spectres 1960” and “Eva Hesse: Studiowork.”
More importantly, by highlighting the former, which is a collection of her paintings, “Eva Hesse: Spectres and Studiowork” offers a closer examination of Hesse’s struggles to achieve true originality.
Formally trained as a painter, Hesse shocked the art world by using unorthodox materials like latex, fiberglass and polyester resin
Mar 5, 2012