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Pyo Kyung-min

Korea Times K-Culture Reporter

Stay tuned for Pyo Kyung-min's latest K-pop stories, where she digs into the backstories that matter. She’d love to hear from you — share your thoughts at pzzang@koreatimes.co.kr. After all, every article gets better with insights from those who love the scene, just like she does!

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K-pop

Global push is fueling English boom in K-pop, but at what cost?

After BTS, one of the biggest names in K-pop, returned last month with its fifth studio album wrapped in Korean cultural symbols, one detail drew particular attention beyond the music — how much of the songs were sung, partly if not entirely, in English? The group's latest release, "ARIRANG," takes its title from Korea's best-known folk song and threads Korean identity through its visuals, sonic references and even its recent comeback stage at Gwanghwamun Square in central Seoul. But behind the scenes, the album reflected a tension that is becoming increasingly visible across the K-pop industry. In a recently unveiled Netflix documentary tied to the project, BTS' leader RM was seen raising concerns about the album's heavy use of English lyrics, questioning whether a project centered on Korean identity could remain "authentic" if much of it was not in Korean. Fellow member Suga also suggested increasing the number of Korean lines. Their label executives, however, emphasized a different priority — global reach. That exchange landed at a moment when English has become more prominent tha

Apr 3, 2026By Pyo Kyung-min
Global push is fueling English boom in K-pop, but at what cost?
Travel & Food

How texture is shaping Korea's current food trends

On a recent weekend afternoon, Hwang In-woo, a university student in his 20s, found himself standing in line for something called “Butter rice cakes” — yet another trending dessert he never intended to try. Hwang said he has been eating his way through Korea’s latest food crazes largely at the urging of his girlfriend, who regularly discovers new items on social media and insists they try them together. “I wouldn’t usually go out of my way to buy these if it weren’t for her,” he told The Korea Times. But as he found himself unintentionally following the trends, he began to notice they all shared something in common beyond just flavor. “Most of them are chewy or soft, so you really don’t need much stress or strength to enjoy them,” he said. “The Dubai-style cookie was the most surprising. It looks soft, but then you get these crispy bits inside. That feeling really stayed with me.” Hwang’s observation points to a quiet but decisive shift in Korea’s food culture, where texture — how something stretches, resists, collapses or melts in the mouth — has become

Apr 2, 2026By Pyo Kyung-min
How texture is shaping Korea's current food trends
K-pop

K-pop fans trade ticket wars for VR concert rush

As K-pop's global fandom continues to expand, one reality has become increasingly clear: Getting a concert ticket has become harder than ever. For 18-year-old student Lee Se-min, that challenge feels all too familiar. A longtime fan of K-pop boy band SEVENTEEN, she has also been closely following their label junior group TWS since debut. But even with strong interest, attending a live show is not a simple decision. "Of course I'd want to go in person, if I just had that much money," Lee said. "But I already have a favorite group, and there's no guarantee I'd even manage to get a ticket for TWS." Instead, she opted for a different kind of concert experience, one that is quickly reshaping how fans engage with their favorite idols. Virtual reality (VR) concerts, once seen as experimental, are steadily gaining ground as a viable alternative to traditional live shows. Lee recently attended "TWS VR CONCERT : RUSH ROAD," which premiered at Megabox Coex on March 4 and has since extended its run through April due to strong demand. "I went in expecting lower quality," she said with a laugh. "But th

Apr 1, 2026By Pyo Kyung-min
K-pop fans trade ticket wars for VR concert rush
K-pop

How DAY6 Wonpil's inner struggles shaped 'Unpiltered'

On a quiet Tuesday morning in a cafe tucked inside Seoul's Gangnam district, Wonpil sits in a camel-colored jacket, his wide, expressive eyes flickering between excitement and visible nerves. Known to fans as the spirited keyboardist and vocalist of K-pop band DAY6, the 31-year-old singer is preparing to introduce a more vulnerable side of himself through his upcoming solo mini-album, "Unpiltered," set for release Monday. "It still feels surreal," Wonpil told The Korea Times with a soft laugh. "Even doing this interview feels unbelievable. Preparing this album made me realize once again that music can never be created by one person alone." The new project comes a whopping four years after his first solo release, "Pilmography" in February 2022. The seven-track release features the emotionally charged lead single "Highs and Lows," alongside songs like "Toxic Love," "Up All Night" and "Step by Step." While DAY6 has long been associated with youthful K-band anthems and uplifting pop-rock, Wonpil says he reached a turning point around the band's 10th anniversary. "I kept thinking about the ima

Mar 30, 2026By Pyo Kyung-min
How DAY6 Wonpil's inner struggles shaped 'Unpiltered'
K-pop

Comebacks flood April in packed K-pop calendar

The K-pop industry is moving at full speed in the first half of 2026, with little room to slow down. February was anchored by the 2026 Winter Olympics and high-profile activities from BLACKPINK, one of the genre’s most dominant names. In March, BTS followed, reclaiming the spotlight with its fifth full-length album and a landmark concert at Gwanghwamun Square in central Seoul. The calendar only gets tighter from here. June will be packed with Korea’s nationwide local elections and the FIFA World Cup in North America. With global attention already divided across major events, April has emerged as the industry’s last open runway, with idol groups and soloists stacking their releases into a single, high-stakes window. One of the most anticipated returns is that of five-member boy group TOMORROW X TOGETHER (TXT), who is set to drop its eighth mini-album, “7TH YEAR: A Moment of Stillness in the Thorns,” on April 13. The project marks the group’s first release following contract renewals with BigHit Music and signals a turning point as they move into what is being framed as their

Mar 28, 2026By Pyo Kyung-min
Comebacks flood April in packed K-pop calendar
K-pop

Trial opens for Ador's damage suit against former NewJeans member, ex-CEO

A trial for the damage suit filed by Ador, a subsidiary of K-pop giant HYBE Labels, against former NewJeans member Danielle and former Ador CEO Min Hee-jin opened on Thursday, showing no end in sight for the dispute that began in 2024. In December last year, Ador filed the damage suit against the idol, her mother and the label's former CEO, claiming 43.1 billion won ($28.6 mil.) in compensation for causing delay to the resumption of NewJeans' activities. At the preliminary hearing held at the Seoul Central District Court on Thursday, legal representatives of the label and the idol clashed over the pace of the proceedings. "Danielle is an idol, and this is the most brilliant period of her career," her legal representatives said accusing Ador of dragging out the case, also pointing to the inclusion of Danielle's mother in the suit. "If this lawsuit is drawn out, she (Danielle) will inevitably suffer harm. Ador, as an entertainment agency, knows this well." Ador's legal team rejected the characterization, arguing that the lawsuit concerned damages and penalties only and had no bearing on Da

Mar 26, 2026By Pyo Kyung-min
Trial opens for Ador's damage suit against former NewJeans member, ex-CEO
K-pop

Baby DONT Cry bottles youthful heartache on 1st mini-album 'AFTER CRY'

Less than a year after its debut, rookie K-pop girl group Baby DONT Cry is stepping into its next chapter, Tuesday, with the reflective single "Bittersweet," fronting its new first mini album, "AFTER CRY." The group, made up of Yihyun, Kumi, Mia and Beni, introduced the new release during a media showcase at Blue Square’s Woori WON Banking Hall in Seoul’s Yongsan District, Tuesday. Despite the group's rookie status, the members led the event with unexpected energy and polish, moving seamlessly through their live performances and media interactions without visible nerves. “This is our first official comeback since ‘I Don’t Care’, and also our first mini album,” Beni said. “We prepared really hard because we wanted to surprise our fans and everyone who has been watching us.” "AFTER CRY" opens what the group describes as a larger “tears trilogy” that will unfold across future releases. A previously unveiled trailer video, titled "The Story Begins Here," teased the narrative arc with the phrases “Chapter 1. AFTER CRY,” “Chapter 2. WE BLOOM,” and “Chapter 3. B

Mar 24, 2026By Pyo Kyung-min
Baby DONT Cry bottles youthful heartache on 1st mini-album 'AFTER CRY'
K-pop

Why more K-pop fans are turning to Samsung to capture concert moments

As dusk fell over Gwanghwamun Square last Saturday night, the crowd moved in rippling waves of purple, all gathering to celebrate the return of global K-pop giant BTS to the stage. Thousands of smartphones were raised toward the stage, their cameras zooming in on the BTS members even before the first note rang out. In today’s K-pop concert landscape, capturing the moment has become nearly as important as experiencing it. For many fans, filming a performance has turned more into a carefully planned mission than a spontaneous decision. That mission is now shaped as much by technology as by the fandom itself. Samsung’s Galaxy Ultra series has emerged as a favorite among a segment of K-pop concertgoers and using the newly released Galaxy S26 Ultra during BTS' recent Gwanghwamun show offered an insight to why. At first glance, the device’s overall video quality did not feel radically different from footage captured on the latest iPhone models. Colors appeared vivid without looking overly processed and baseline sharpness under bright stage lighting felt broadly comparable. Concerts, howeve

Mar 24, 2026By Pyo Kyung-min
Why more K-pop fans are turning to Samsung to capture concert moments
K-pop

ITZY’s Yuna scoops up sweet new chapter with solo debut ‘Ice Cream’

K-pop girl group ITZY's youngest, Yuna, is stepping into a new, solo spotlight — one that feels both familiar and entirely her own. The 22-year-old singer debuted her first individual album, “Ice Cream,” Monday, offering fans a spring-ready introduction to her solo identity. Though still one of K-pop’s youngest breakout figures, Yuna is already entering her seventh year since debuting with ITZY. Following leader Yeji's earlier solo turn, Yuna now seeks to transform her radiant visuals that first defined her into a more personal musical narrative. Speaking to reporters at a hotel in Seoul just hours before the album release, the singer arrived in a white mini dress that mirrored the record’s airy mood. The setting felt calm, but her emotions were anything but. “I feel as nervous as I did when I first debuted with ITZY, but just as excited,” Yuna said. “There’s definitely pressure because it’s my first solo after seven years. I want to do well. Watching Yeji handle her solo so confidently inspired me in a positive way and pushed me to prepare even harder.” Preparing a

Mar 23, 2026By Pyo Kyung-min
ITZY’s Yuna scoops up sweet new chapter with solo debut ‘Ice Cream’
K-pop

BTS flexes K-pop dominance with historic Gwanghwamun comeback show

Superstar group BTS wrapped up its long-awaited comeback concert at Gwanghwamun Square Saturday evening, transforming one of the capital’s most historic landmarks into an open-air K-pop stage. The performance, titled “BTS COMEBACK LIVE: ARIRANG,” marked the group’s first full-member concert in three years and five months, coming a day after the release of its fifth studio album, “ARIRANG.” The timing gave the show an added jolt of urgency, as fans arrived eager to become the first to witness the new material go live. The single-night show unfolded against the illuminated facade of Gwanghwamun gate, where large-scale projection mapping and synchronized lighting effects turned the landmark into a dynamic concert backdrop, seen through the picture frame-like stage structure. Staging a comeback at one of Seoul’s most symbolically charged public spaces underscored the themes of identity, origin and renewal that run through BTS' new album. The choice also amplified the group’s long-standing narrative of representing Korean culture on a global stage, now brought back to a histor

Mar 21, 2026By Pyo Kyung-min
BTS flexes K-pop dominance with historic Gwanghwamun comeback show
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