Two landscape painters light up dark days
Works of the late Korean artist Lee Sang-beom (1897-1972), also known as Cheongjeon, including "Returning at Dawn,” center, are on view at Hyundai Hwarang in central Seoul. Courtesy of Gallery HyundaiLee-Byeon rivalry helps modernize indigenous ink painting techniqueBy Kwon Mee-yooInk-and-wash paintings were once the most admired genre of art in Korea.Unbeknownst to many, however, the indigenous ink-based landscape painting style had vanished from mainstream art as the local art market has globalized and Western-style abstract art exerted influence on Korean painters. In the 1980s, the prices of ink paintings in East Asia were similar among countries. While the prices of Chinese painter Qi Baishi's works soared and fetched a record $141 million in 2017, Korean ink painting is underrated in the market. There is no ink-and-wash painting in the top 20 most expensive Korean artworks auctioned.The "Two Great Artists of Korean Painting: Lee Sangbeom ― Byeon Gwansik" exhibition at Gallery Hyundai in central Seoul sheds light on the two artists Lee Sang-beom (1897-1972) and Byeon Gwan-