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Lee Hae-rin

Korea Times K-Culture Reporter

Lee Hae-rin is a City Desk reporter at The Korea Times, covering social issues, tourism and taekwondo. She is passionate about speaking up for the rights of minorities, including women, LGBTQ+, people with disabilities and animals as well as discovering the latest makgeolli trend in town. Feel free to reach her at lhr@koreatimes.co.kr.

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Arts & Theater

Chekhov’s ‘Uncle Vanya’ returns with actor Lee Seo-jin

Russian writer Anton Chekhov’s “Uncle Vanya” is returning to the stage this spring in a new LG Arts Center production reframing the 19th-century Russian classic’s quiet storms of regret, unrealized dreams and ordinary people’s everyday resilience to resonate with audiences in 2026 Korea. The original work, first staged in 1899, centers on Vanya, who devotes his life to managing a rural estate in Russia for his late sister’s husband, a professor. He confronts that his sacrifices may have been in vain when the professor returns with his beautiful, young new wife Yelena. And the fragile peace Vanya has maintained with his niece Sonya and their neighbors begins to crumble. Despite its 19th-century origins, the story is not confined to a specific time or place, the creative team stressed at a press conference, Tuesday. LG Arts Center's head Lee Hyun-jung said the goal is “to share values with audiences through a classic that still poses valid questions for our time.” Director Son Sang-gyu described the play as a portrait of “ordinary people living amid lost years and unreal

Apr 7, 2026By Lee Hae-rin
Chekhov’s ‘Uncle Vanya’ returns with actor Lee Seo-jin
Arts & Theater

From fields to fire: Lee Bae brings 30 years of charcoal art to Museum SAN

WONJU, Gangwon Province — Standing at the summit of a museum he likens to a “modern monastery,” artist Lee Bae returned to his roots as a Korean farmer’s son and a restless traveler in a new solo exhibition at Museum SAN that meditates on disaster, renewal and the active work of waiting. Titled “En attendant,” the exhibition runs from Tuesday to Dec. 6 and transforms the entire museum into a single journey that threads through indoor galleries and outdoor sculpture fields, echoing the institution’s founding trinity of “Space, Art, Nature.” It is the first time the museum has devoted its full grounds to a solo show of Korean artist’s works, surveying more than three decades of Lee’s painting, sculpture, installation and video, centered on charcoal as his signature medium. For Lee, who left his hometown of Cheongdo, North Gyeongsang Province, for Paris in 1989 and has lived “like a wanderer for 40 years,” the project became a journey back to his origins. “Preparing this exhibition, I kept asking myself, ‘Who am I, in what environment did I grow up and what di

Apr 6, 2026By Lee Hae-rin
From fields to fire: Lee Bae brings 30 years of charcoal art to Museum SAN
Trends

Hip Buddhism takes over Seoul: Gen Z flocks to buy temple merch

Young Koreans have turned a once-traditional Buddhist trade show into one of Seoul’s buzziest lifestyle events by flocking to the 2026 Seoul International Buddhism Expo for meme-worthy merchandise and cultural content. Under the theme, “Form Is Emptiness, Emptiness Is Form — Play With Emptiness in Your Own Way,” the expo offered up an expansive display of items that catered to younger generations in Korea seeking a blend of Buddhist messaging with a modern touch of style and practicality. The expo ended on Sunday. A 30-something visitor stood in front of a 19,000 won statuette of Avalokitesvara, or the Bodhisattva of Compassion, promoted as a stress-relief item for office workers. “If I put this on my desk, no one at work will talk to me,” the visitor, who opted not to disclose her name, joked, before adding the item to her shopping basket. Nearby, a woman in her 20s wearing a hair clip that read “All Beings First” and a name tag labeled “Sentient Being” tugged her friend toward another stall. “Let’s line up to get a moktak (wooden percussion instrument) keyring

Apr 5, 2026By Lee Hae-rin
Hip Buddhism takes over Seoul: Gen Z flocks to buy temple merch
Arts & Theater

Sejong Center to offer backstage tour for foreign visitors in Seoul

Sejong Center for the Performing Arts is opening up spaces normally hidden from audiences to foreign visitors in Seoul, the center announced Thursday. The Sejong Backstage Tour, guided entirely in English, takes participants behind the scenes of one of the capital’s most symbolic performance venues to explore its history, architecture and production process. Designed as a cultural experience rather than a simple facility tour, the program aims to help international visitors understand the value of the landmark building more deeply by going beyond watching a show and delving into how productions are made. The route begins with an introduction to the building’s architecture and its place in the urban fabric of Gwanghwamun Square in central Seoul, a historic gateway corridor linking Seoul City Hall and Gyeongbok Palace. Visitors then move through the main theater, from the audience seats to the stage, before stepping into normally restricted areas such as backstage corridors and rehearsal rooms used by resident art troupes. Former television news anchor Yoo Jung-ah provides live commenta

Apr 2, 2026By Lee Hae-rin
Sejong Center to offer backstage tour for foreign visitors in Seoul
Arts & Theater

Rediscovering media artist Nam June Paik through nephew’s eyes

Media artist Nam June Paik has returned to his hometown in the form of an intimate new exhibition that invites visitors into the artist’s world through the eyes — and stories — of his nephew and estate executor, Ken Hakuta. The exhibition, “Nam June Paik: Rewind / Repeat,” opened Wednesday on the first floor of APMA Cabinet at Amorepacific’s headquarters in central Seoul, in collaboration with the Nam June Paik Estate and Gagosian. It is the first estate-led solo show for the artist in his birth city in 25 years, and brings together 11 works that are relatively unknown to the public. “I’m sure today is a very happy day for Paik Nam June because he’s back in his home city of Seoul and he loves being in Korea,” Hakuta told reporters during a walkthrough, noting that Paik’s ashes rest at Bongeun temple just across the river. ‘TV Bra for Living Sculpture’ “TV Bra for Living Sculpture” (1969) is a transparent plastic brassiere embedded with two small television sets that was famously worn by cellist Charlotte Moorman in performances beginning in 1969. The work, l

Apr 2, 2026By Lee Hae-rin
Rediscovering media artist Nam June Paik through nephew’s eyes
Music

Korea Times Spring Concert to feature maestro Chung Myung-whun

This year’s Korea Times Spring Concert will feature maestro Chung Myung-whun, who will lead the KBS Symphony Orchestra in a concert version of Bizet's opera "Carmen" in Seoul on April 17. The concert will offer a rare opportunity to hear one of Korea’s most renowned conductors, who is currently serving as the orchestra’s music director. He is also an internationally recognized musician. Last year, he was appointed to lead La Scala, the historic opera house in Milan — regarded as the birthplace of opera — starting in 2027. The upcoming performance will mark Chung’s second full opera-in-concert with the KBS Symphony Orchestra in 29 years. In 1997, he conducted Verdi’s “Otello.” The concert will also highlight Chung’s long-standing relationship with the orchestra. He first conducted the ensemble in 1972 at the age of 19, later serving as its fifth chief conductor in 1998 and becoming its first conductor laureate in 2021. Last year, he was reappointed as the KBS Symphony Orchestra’s music director. “Under the baton of Chung, an authority in opera conducting, ‘Carmen

Apr 1, 2026By Lee Hae-rin
Korea Times Spring Concert to feature maestro Chung Myung-whun
Trends

From auction-house prestige to living room interior, moon jar sets lifestyle trend

Once a plain white storage jar for soy sauce and grain in late Joseon homes, Korea’s moon jar has risen to a multimillion-dollar blue-chip star of the global art market — and now, it has quietly come full circle, returning to Korean living rooms as a good luck décor staple and everyday lifestyle trend. Its soft silhouette and milky glaze have found a new place as visual therapy, offering a sense of quiet and warmth to Koreans in time of uncertainty and overload. Its round shape and white color are believed to carry yin energy and water, associated with wealth, while its full-moon form symbolizes stability and abundance at home. On a leading home decor and lifestyle commerce platform Ohou, a search for “moon jar” pulls up 1,718 items, from wall prints under 10,000 won ($6.5) to diffusers, vases, plant pots, doorbells and LED mood lamps in the 30,000 to 100,000 won range. KakaoTalk’s gift service also reflects the craze, showing 5,526 results for “moon jar,” from small home accents to house warming and new year gifts that users can send with a few taps. Budget retailer Daiso

Apr 1, 2026By Lee Hae-rin
From auction-house prestige to living room interior, moon jar sets lifestyle trend
Books

Han Kang wins US National Book Critics Circle Award for 'We Do Not Part'

Nobel Prize-winning author Han Kang’s novel “We Do Not Part” won the U.S. National Book Critics Circle (NBCC) Award on Thursday (local time), one of the most prestigious literary honors in the United States. The NBCC announced that Han received the award in the fiction category. The novel, translated by E. Yaewon and Paige Aniyah Morris, was published in the United States last year. Speaking about the winning work, the NBCC said the novel is “a work of blinding melancholy, bleak weather and murmuring syntax. It is a subtly rendered sketch of trauma in the wake of the Jeju Massacre and a rumination on creation and truth amidst loss. This artful novel lingers like an atmospheric and arresting dream.” The award marks another honor for the Korean author following her Nobel Prize win in 2024. Set against the backdrop of one of the darkest chapters in modern Korean history, “We Do Not Part” centers on the 1948 Jeju April 3 Uprising, a protest against U.S. military-led rule that the then-government falsely labeled a communist revolt, resulting in the deaths of tens of thousands of

Mar 27, 2026By Lee Hae-rin
Han Kang wins US National Book Critics Circle Award for 'We Do Not Part'
Books

DMZ World Literature Festa to discuss peace with Nobel winner Alexievich

Against the backdrop of barbed wire and guard posts of the inter-Korean border, writers from around the world, including Nobel Prize-winning Belarusian author Svetlana Alexievich, will gather to ask what literature can do in an age of war, division and democratic backsliding this weekend. Titled “Out of the Land of Silence with the Language of Life,” the event will run from Friday to Sunday at Camp Greaves inside the Demilitarized Zone (DMZ) in Paju’s Book City, featuring 150 authors, including Alexievich, Korean literary heavyweight Hwang Sok-yong and writers from conflict zones and migrant communities around the world. Co-hosted by Gyeonggi Province, the Gyeonggi Cultural Foundation and the Writers Association of Korea, the three-day event and its companion book fair “Between Pages” aim to spotlight literature’s role in promoting peace, coexistence and human dignity. On Friday, Alexievich, best known in Korea for “The Unwomanly Face of War,” will deliver a keynote speech on the 2020 Belarus protests and speech as resistance under authoritarian rule. Hwang, who recently

Mar 26, 2026By Lee Hae-rin
DMZ World Literature Festa to discuss peace with Nobel winner Alexievich
Travel & Food

Spring fields, fortress nights: Behind Gochang's festivals

GOCHANG COUNTY, North Jeolla Province — When the spring wind sweeps across the rolling hills of Gongeum-myeon in Gochang County, nearly 770,000 square meters of green barley sway in unison like ocean waves. This picturesque landscape is drawing visitors from across the country to a county that has mastered the art of turning its rural landscape into a year-round tourism landmark. Gochang County, home to seven UNESCO designations, anchors its tourism calendar around two vastly different festivals — a spring celebration of grain fields and an autumn homage to a 15th century stone fortress — that altogether draw more than 700,000 visitors a year to a place with a population of less than 60,000. Gochang Green Barley Field Festival The Gochang Green Barley Field Festival is arguably Korea's most successful example of "landscape farming," turning farmland into scenic tourism spot. The story of how it began is deceptively simple. Professional photographers started exhibiting their barley field shots at exhibitions around the country, and word spread. Crowds began arriving, eventually grow

Mar 26, 2026By Lee Hae-rin
Spring fields, fortress nights: Behind Gochang's festivals
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