'Parasite' - history, reality or art?
By David Tizzard While K-pop acts BTS and Black Pink have been hitting the headlines for their international commercial success and online fandom in 2019, one of hallyu's most important sectors has often gone under-recognized in domestic Korean society. And yet the soft-power wave crashing on foreign shores and leaving an indelible mark is not arriving to the tune of a catchy choreographed innocent electronic dance beat.It is far more mature, risque, and provocative than that. Moreover, it is willing to speak its mind and turn its lens on a society that is both thriving and suffering in equal measure as the 21st century lurches forward, marked by exponential technological advancements and disparity at the political, economic, and social levels.Korean cinema is the opposite of K-pop in many ways: it enjoys great critical success abroad, its main practitioners are willing to voice their opinions on many subjects without too much fear of Twitter reprisals, and it doesn't seek to present the land of the morning calm as an air-brushed, complexion perfect, dancing marionette. It know