Value context and insight. lkm@koreatimes.co.kr
‘The King’s Warden’ unveils bittersweet soundtrack as film nears 16 mil. moviegoers

A moviegoer walks past a poster for the hit film, "The King's Warden" / Yonhap
As ticket sales approached 16 million, the distributor of “The King’s Warden” released the film’s original soundtrack, “Companion,” adding a final emotional note to one of the year’s biggest hits.
The song was unveiled at noon Friday, according to the film’s distributor, Showbox, as “The King’s Warden” continued to perform strongly in its ninth week in theaters.
The ballad captures the restrained, unfulfilled bond between Mae-hwa and Hong-wi, two central characters in “The King’s Warden,” according to Showbox.
Jeon Mi-do, who plays Mae-hwa, took part in the recording, extending her performance beyond the screen. Known for her work in musical theater, she brings a restrained vocal style to the track, reflecting the character’s inner conflict and longing.
Dalparan, the film’s music director, said the song was designed to carry the lingering emotions of the story’s conclusion.
“I approached it as a way of distilling the film’s meaning and emotional resonance, aiming for a wistful, lingering tone,” he said.
“I wanted to capture the sorrow of watching someone you have cherished since childhood endure hardship, while being unable to stand beside him as a true companion,” he added, explaining that the lyrics express a bond that feels like close companionship but cannot fully become one.
Directed by Jang Hang-jun and starring Yoo Hae-jin, Park Ji-hoon and Yoo Ji-tae, the film tells the story of a village leader who volunteers his remote community as a place of banishment for the deposed young king Danjong, set in 1457 at Cheongnyeongpo in Yeongwol County, Gangwon Province.
The soundtrack is available on major domestic platforms including Melon, Genie, Vibe, Flo and Bugs, as well as global streaming services such as Spotify, Apple Music and Amazon Music.
This article was published with the assistance of generative AI and edited by The Korea Times.