Album reviews - The Korea Times

Album reviews

Jimmy Strain

‘Human to Human’

(SAIL MUSIC)

Why we recommend it: Jimmy Strain isn’t just a catchy name; his genre-hopping tunes have a way of sticking in your head.

Best tracks: “Lucky,” “Goodbye”

Emerging Korean artist Jimmy Strain — a stage name comprised of idols Page and Morrison, and the word for a musical phrase — takes a new direction for his third studio album, combining all his talents for a release ringing with earnestness.

The self-taught musician, who once played hooky from the Seoul Jazz Academy, dives into his own native cultural fodder for inspiration. Dedicated to his father’s 60th birthday, a milestone event in Korea, “Human to Human” deals with those well-discussed social topics indicative of the national perspective: from high suicide rates to the priority of self-image and appearance.

Another twist is the language: Korean. Though born and raised here, Strain previously marked his albums with his all-English lyrics.

The budding musician shows his diversity in the genre-exploratory ambiance of the album, with tracks quickly moving from the poppy piano of opener “Lucky,” to the country blues of “Goodbye,” the patriotic rock of “The Killer Society” and the ballad sensitivities of “Mom.”

The final bonus number “Fight of Fathers” (an acoustic version from his sophomore album) opens with an almost traditional plucking sound, before bowing out to a strumming guitar solo and punctuating vocals. The array of styles allows for easy listening; the clean dips into each arena a refreshing combination.

The variety of instruments for the soloist may stem from his principle belief in the “one-man band.” The idea is that the modern musician should create songs entirely alone, only being joined by others once on stage. Though Strain once played to the audiences of the Hi Seoul Festival in 2007, he has since been tucked away in the studio writing, working and creating.

In line with its title, the album seeks to reopen a discussion of life philosophies and relationships. Dedicated to his father, a fellow musician, the collection of songs works as a conversation (particularly given the socially-relevant lyrics). Even the cover boasts two photos of a young Strain and his father, emphasizing that intimate connection between all humans.

Through a playful diversity and realistic view of the world, Strain demonstrates the strong potential of his work: honest and raw.

Three out of four stars.

— INES MIN

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