The Korea Times close
National
  • Politics
  • Foreign Affairs
  • Multicultural Community
  • Defense
  • Environment & Animals
  • Law & Crime
  • Society
  • Health & Science
Business
  • Tech
  • Bio
  • Companies
Finance
  • Companies
  • Economy
  • Markets
Opinion
  • Editorial
  • Columns
  • Thoughts of the Times
  • Cartoon
  • Today in History
  • Blogs
  • Tribune Service
  • Blondie & Garfield
  • Letter to President
  • Letter to the Editor
Lifestyle
  • Travel & Food
  • Trends
  • People & Events
  • Books
  • Around Town
  • Fortune Telling
Entertainment
& Arts
  • K-pop
  • Films
  • Shows & Dramas
  • Music
  • Theater & Others
Sports
World
  • SCMP
  • Asia
Video
  • Culture
  • People
  • News
Photos
  • Photo News
  • Darkroom
  • The Korea Times
  • search
  • Site Map
  • E-paper
  • Subscribe
  • Register
  • LogIn
search close
  • The Korea Times
  • search
  • Site Map
  • E-paper
  • Subscribe
  • Register
  • LogIn
search close
Entertainment & Arts
  • K-pop
  • Films
  • Shows & Dramas
  • Music
  • Theater & Others
Sat, May 28, 2022 | 00:19
Films
JIFF opening film: Despite system, father struggles to get children back
Posted : 2021-05-02 12:09
Updated : 2021-05-02 12:44
Print Preview
Font Size Up
Font Size Down
Serbian filmmaker Srdan Golubovic / Courtesy of Maja Medic
Serbian filmmaker Srdan Golubovic / Courtesy of Maja Medic

Is a poor father unqualified for parenting? Serbian filmmaker Srdan Golubovic sparks discussion about the material base of fatherhood

By Kwak Yeon-soo

Serbian filmmaker Srdan Golubovic, whose film, "Father," was the opening film of the 22th Jeonju International Film Festival, said his film is designed to provoke debate about social issues that are often overlooked in his country.

Inspired by a true event, the filmmaker tells the story of Nikola (Goran Bogdan), a penniless Serbian day worker who struggles to get back custody of his children after they were taken away by social services. He sets out on a 300-km walk to Belgrade, determined to present his case to the Ministry of Labor and reunite with his family.

Golubovic explained that the basic premise of the man making the cross-country journey is based on a real-life story, but the rest of the circumstances, such as where the main character lives and how he fights the bureaucracy, are fictional.

Although corruption, the weak social system and injustice are themes heavily dealt with in the film, Golubovic said he wanted to convey how Nikola opts to get back his dignity through his journey.

"Nikola starts to walk intuitively. His small act eventually becomes a symbol of resistance, but that wasn't his intention. Through his personal sacrifice, the man discovers his soul again," he told Korean reporters during an interview via Zoom, Friday.

When asked why Nikola remains fairly calm throughout the film, except for a few highly emotional scenes, Golubovic said that expressing emotion is a luxury for those who live in poverty.

Serbian film opens 22nd Jeonju International Film Festival
Serbian film opens 22nd Jeonju International Film Festival
2021-05-02 12:01  |  Films

"He doesn't have that luxury. He's only focused on survival. He is like an animal, so he doesn't express his feelings. It's important to note that he's not fighting for justice. He's just fighting for his own sake. So, what he does is an act of survival, not an act of resistance," he said.

Serbian filmmaker Srdan Golubovic / Courtesy of Maja Medic
Actor Goran Bogdan in a scene from "Father" / Courtesy of Maja Medic

The Serbian director explained that he spent three months contemplating how to portray tension in the character, who is just seen walking.

"It was the biggest challenge for me and Bogdan, the actor who played Nikola. That's why we worked three months talking about the script, the character and how to describe his inner world through silence. I asked him to lose 20 kilograms before shooting so that he could be in the character's shoes," he said.

Picking Lee Chang-dong as his favorite Korean filmmaker, Golubovic said that he tries to make films that are closely attached to reality.

"I'm trying to portray the real situation of social movements in Serbia. I'm trying to provoke thoughts about the reality in my country," he said.

The filmmaker added that he is interested in stories about "invisible people" or the marginalized.

"I wanted to make a film about people who are not on our radar. These people are very ashamed of poverty. They think it's their destiny to be poor. Serbia is not that poor, but on the outskirts of the city, there are very poor people like Nikola," he said.

"People are good. The system is bad. For instance, when Nikola comes back to his village, he realizes that his neighbors stole his things while he was away. I didn't want to make these people seem bad. They stole his things because of their weaknesses. They're really ashamed because they're just weak people," he said.

Golubovic also shared why he keeps making films about fatherhood. "I don't know exactly why…the reason may be because I lost my father when I was really young. That's why I want to explore it in depth and study what being a father means. It's something that comes from my inner mind," he said.




Emailyeons.kwak@koreatimes.co.kr Article ListMore articles by this reporter
 
  • [SPECIAL REPORT] Asylum-seekers create Myanmartown from scratch in Bupyeong
  • S. Korean volunteer fighter in Ukraine returns home with knee injuries
  • UN Security Council fails to pass N. Korea resolution due to opposition from China, Russia
  • Trade deficit feared to become long-lasting trend
  • Early voting for local elections kicks off
  • Presidential security team misplaces live bullets
  • Koreans ready to flock to Japan as tourism resumes in June
  • WHO assembly slams Russian attacks on Ukraine health facilities
  • Gov't vows swift prescription of COVID-19 pills for high-risk patients
  • Yoon appoints his first spy chief
  • Disney+ original 'Kiss Sixth Sense' to offer high-spirited, fantasy rom-com Disney+ original 'Kiss Sixth Sense' to offer high-spirited, fantasy rom-com
  • [INTERVIEW] German professor hopes to boost appreciation for Korean traditional music [INTERVIEW] German professor hopes to boost appreciation for Korean traditional music
  • [INTERVIEW] Korea needs more small-sized concert venues: Prof. Lee Gyu-tag [INTERVIEW] Korea needs more small-sized concert venues: Prof. Lee Gyu-tag
  • 'The Roundup' becomes most-watched Korean film in pandemic era 'The Roundup' becomes most-watched Korean film in pandemic era
  • Seventeen donates for children's education to mark debut anniversary Seventeen donates for children's education to mark debut anniversary
DARKROOM
  • 75th Cannes Film Festival

    75th Cannes Film Festival

  • People in North Korea trapped in famine and pandemic

    People in North Korea trapped in famine and pandemic

  • 2022 Pulitzer Prize: Bearing witness to history

    2022 Pulitzer Prize: Bearing witness to history

  • Worsening drought puts millions at risk

    Worsening drought puts millions at risk

  • Our children deserve the best

    Our children deserve the best

The Korea Times
CEO & Publisher : Oh Young-jin
Digital News Email : webmaster@koreatimes.co.kr
Tel : 02-724-2114
Online newspaper registration No : 서울,아52844
Date of registration : 2020.02.05
Masthead : The Korea Times
Copyright © koreatimes.co.kr. All rights reserved.
  • About Us
  • Introduction
  • History
  • Location
  • Media Kit
  • Contact Us
  • Products & Service
  • Subscribe
  • E-paper
  • Mobile Service
  • RSS Service
  • Content Sales
  • Policy
  • Privacy Statement
  • Terms of Service
  • 고충처리인
  • Youth Protection Policy
  • Code of Ethics
  • Copyright Policy
  • Family Site
  • Hankook Ilbo
  • Dongwha Group