'The Spy Gone North'
By Stephen Costello“The Spy Gone North,” the new movie by director Yoon Jong-bin, is slow-moving and lacks the shock and awe of almost any other film of this type. It is absolutely riveting, however, if one lived through the 1990s connected in any way to the politics and policies of South Korea.I found myself worrying during the screening at the Woodrow Wilson Center near the White House in Washington, D.C. Would this audience hang on to the end? They must be interested in the Korean or U.S. policy implications, or in the security dimensions of the story. But it was unlikely that they cared as much as I did about this slice of history. Or so I thought.But they did hang on. To the end. That may be one of the great achievements of the director, cinematographer and actors ― to pull an audience with widely differing interests all the way through a drama with complex political, ideological and historical messages. After all, some were not yet born in 1992. No shootings, no car chases, no sex.But wow. Even acknowledging deviations from the real record, this movie shines a
Aug 17, 2018By Stephen Costello